Wednesday, May 10, 2006 climbing down.You know, it took me nearly 3.5 years in London to make me realize that I actually love performing. I know, I know, such a belated awakening. Thing is, I'd never been terribly confident of my pianistic abilities. Whatever little skills I may possess right now are painfully earned from accumulated years of hard work, and nights after nights of relentless practice. And despite all this effort, I'm still not as technically competent as I hope to be, neither am I very musical by nature (horrendous practical marks aren't exactly the most ego-boosting either). And if I were to say "I love performing", when I'm so shit at it, it's mighty, mighty embarrassing. Ah, the ego speaks. This is why I normally choose to accompany friends or the choir, rather than to take centrestage as a soloist. Don't get me wrong, I love playing chamber music, always have, always will. It's actually far more stressful to be an accompanist than to be a soloist, even though it's great fun making music with someone else. (Yibin's Grovlez and Yang'en's Faure come to mind.) It's just that I've always felt that I'm not good enough to be heard on my own, not good enough to warrant attention to my amateur music-making. So it's quite ironic that I only discover this anew, during my Masters year where I have no performing modules, where I'm not taking any piano lessons from the Royal College of Music (I do have an allocated professor, but I never got round to calling him somehow). Despite that, the piano and my soul are in holy communion every single day of the week, and all I want to do is to practise practise practise my life away. And it's the worst time ever! Not when I have gazillions of books to read and millions of essays to write before the BBC Prom Concerts start in July. This confession only came about when I finally accepted that I will never be the performer that I wish to be. Let's face it - I'm never going to make it. Not at this age, not at this time, and certainly not with my limited capacity as a musician. I'm not being a pessimist perfectionist (or maybe I am), but it's never going to happen - or at least, I know I will never regain the minute 'peak' I reached during my final recital last year. But I shouldn't let that stop me from making music in my own boorish way, you know? I suppose I will always find solace in listening to gorgeous renditions of pieces by the I'm not giving up though. Even though I'm awed and humbled daily by the great maestros, I'll continue testing my own limits, and hopefully transcend the physical barrier of my technical abilities, and the psychological ones which I have inadvertently set upon myself. My impertinent arrogance knows no bounds, and perhaps, I should be grateful for that. The other alternative would be to happily indulge in narcissistic self-pity for the rest of my life. And of course, if I can't perform, there's always teaching, and there is such great joy and reward to be derived in the impartation of musical knowledge. To illuminate, to enlighten, to relish, and the consequent revelation in the eyes! Harmonious bliss and ecstasy in a very different sort of way. Somehow, I suspect my strengths lie in teaching, and not performing. You know how it is, pompous and snooty people conserve all their energy for the heavy criticism of other people, but never themselves. Ah well. This has been a very windy post, but I suppose it more than makes up for the past lack of updates (Jess, I've finally blogged!). A shout-out to the blessed few who are having exams (like Jing and Vincent), here's wishing you all the very best! p.s. It was great hearing from you Steffy, call me whenever! she procrastinated @ 03:04 | |
blueprint I will like to spend my days, as though they are my own, which I mostly end up doing in halves, for duty beckons, and I am answering its clarion call. Soon enough! I am also a veteran procrastinator. fresh monodies impending arrival, stressed. previous rants August 2004 treatises on life arty jen frivolous pursuits for shallow ppl mulling over "One is wicked, because one see things clearly." - Beaumarchais's Le nozze di Figaro.And there were phlegmatic souls.
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